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STEK’s Paint Protection Film combines best-in-class durability and clarity not previously available in the market. The only Company in the world to produce paint protection film with Hydrophobic, Self-healing, Anti-contamination, Anti-yellowing. No other conventional films will have such abilities or are limited to only having one functionality. In addition, the clear coat employs special elastomeric polymers that "self-heal" eliminating swirl marks and other fine scratches without having to do anything. https://www.youtube.com/watch?v=GRj9zkUQ630 Our Product in Line: DYNOSHIELD, DYNOPRISM, DYNOMATT & DYNOCARBON DYNO-SERIES provides you with unparalleled top-coated paint protection film technology for those seeking the best-performing film on the market. Our nano-glass top coat is bonded to the film at a molecular level during manufacturing virtually eliminating the need for waxes or after-market top coatings. DYNOSERIES is unique in the market because of STEK's combination of an extremely hydrophobic top coating plus self-healing properties for correction of light surface scratches. Our top coat combined with UV-resistant anti-yellowing adhesives results in unmatched clarity and gloss plus improved puncture resistance. STEK- The best automotive paint protection available from one of the world's leading paint protection film manufacturers DYNO Advantages & Benefits: -Glossy Finish -Hydrophobic (Advanced water repelling properties) -Anti-Contamination (Easy to remove contaminants) -Fast Recovery (by heat or hot water) -Stain Resistant Warranty: DYNOseries paint protection film is warrantied against delamination, yellowing, bubbling and cracking. ****************************************************************************************************** Talk to our Paint Protection Specialist Today! Authorised #STEK Dealer - For Singapore Mobile: +65 8161 0131 Email: [email protected] Website: www.newagepolish.sg
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Prior to last month, I couldn't even recall the last time I used a film camera. It might have been two decades ago, because sometime in the mid-2000s, digital cameras began to proliferate and before we knew it, film was out, and the 'Megapixel War' had commenced. I still remember how almost everyone I knew suddenly started talking about which camera had how many megapixels and how it that would deliver the best resolution and therefore, the 'best' photos. One-hour photo developing shops in shopping centre basements started disappearing. Nobody wanted to wait for their photos to be developed when they could be viewed and even printed at home. I, too, was enamoured at the speed at which we could produce images. Pictures that were no good could be easily deleted, so there was no more pressure to get your photos right the first time. But I began to miss shooting film a few years ago. Shooting for work is done with a digital camera and there's a rush to just get the shoot over and done with. There's little engagement in the process. The Spotmatic F feels great to hold as it is constructed from mostly metal, with some plastic bits used for the dials After all, we live in an era where everything must happen instantly, which means we're always doing (or trying to do) everything as fast as we can. It's like going on a holiday with such a packed itinerary that instead of immersing yourself in the sights, sounds and flavours, you're just rushing to tick every box on your list in a bid to maximise your time there. Damn, that's WORK, not leisure, and it's also the reason why you come home and declare you need another vacation. Slow your roll I have four film cameras: A Minolta I inherited from my late grandfather, a Yashica from the 1990s, a Mamiya RB67 I bought from Ebay a few years ago (but got 'lost' before I could use it), and my most recent acquisition, a Pentax Spotmatic F. I got that because I wanted a manual 35mm camera. One Saturday, during a few hours of clear skies, I asked my better half to indulge me by playing the role of muse/model in a photo shoot. I then loaded the Pentax with a roll of Kodak Portra 160 and set the film speed to 100. Not having touched film in nearly 20 years made the process of loading the camera, which once upon a time felt so natural, feel tricky. Luckily, I could tell I loaded it right, because the rewind lever turned counterclockwise as I advanced the roll. With a digital camera or even my smartphone, taking snapshots is easy. Once I am satisfied with the light, background and overall composition, I can click away without worry. The 120mm film rolls are expired, but they could still give 'interesting' results With film, the process is slower and more purposeful. Yes, I also imagine the final image I want to see and work backwards from there, while factoring in the available light and background. After this, I asked my missus to practice a few poses. Only after we decided on one did I activate the camera's light meter by uncovering the lens. Aha, and unlike modern camera lenses that have plastic caps, this one is made of metal. Woot. Then I adjusted the exposure by tweaking the aperture and shutter speed. Once these were sorted, I finally cocked the shutter by advancing the film lever. I felt like a sniper of sorts as I held by breath before releasing it. The click that accompanied its opening and closing was most satisfying. This was followed by a long-lost but familiar feeling of not knowing how the images will turn out. I wonder if I focussed correctly and whether my hand shook. From here on, it'll be up to the lab and whoever's processing the film to adjust accordingly, assuming there's enough latitude. The shutter speed is set using the left dial, while the shutter itself has a threaded hole for a cable release. The film counter is above the advancing lever Making each shot count Because each shot is carefully planned, my time is put to better use. Film costs more than it used to, and I recall spending $21 for the 36-exposure roll of Portra 160. The entire shoot lasted 35 minutes and I took either five or six photos. So, I probably have another 30 exposures... and much planning to do. I'm thinking of shooting landscapes in the Botanic Gardens next time. Shooting film feels more shiok than shooting digital. After all, it's something I enjoy, so naturally, it's nicer to spend more time on it as opposed to hurrying through the process. It's also liberating. A digital camera is more convenient, but if you review your shots, you start to feel constrained. With film, I can totally focus on lighting and composition since I won't see my results anytime soon. And yes, I like that feeling of anticipation and eventually, excitement, after I eventually finish the roll and send it to be processed. Aperture is set using this handy dial, while the focus is dialled in using the checkered ring - plenty of engagement for the hobbyist Larger formats? Having 36 exposures is great, but for a hobbyist like me that tries to plan every shot, medium format might be a better option. Apart from better resolution, and smoother tones and colour gradients, I'll have less planning to do, as the 6x7 format may only give me a dozen exposures. Or maybe I'll want to try a large format 4x5 camera in the future. Sheet film might be even more expensive than 120mm film, so I might only take two photos. Two well-planned shots after spending time setting up the camera. Film is outdated for an online portal like ours, but as a hobby, it's immensely more rewarding than shooting digital. I hope it doesn't disappear, because it's not outdated - it's just another format.
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Anyone know where in JB can i do solar film?
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looking to replace my front 3 solar film.. tried those usual names like artoftint,zen and even 3m (which is given by AD), not that satisfactory saw the reviews of v-kool seems pretty good, any current users of X75?
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Hi all, Do you know what is the difference between 3m normal solar film and crystalline solar film ? Anyone used it before ? Which is better ? It seems the some people use the normal film for the front windscreen and crystalline for the rear ? Why is that ? Thanks
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I have been using those japanese oil film removal (yellow bottle) bought from auto-bac for the past years but seems that the oil film will come back after a weeks or so after applied , is there any other better products ?
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https://www.youtube.com/watch?v=JBLQRP_AMQw
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BAN: Clone of Dennis78 Hi all, I been wanting to do up my solar films for my car as the weather is terrible these days. And went on to understand and enquiry about the different types of solar films offered in Singapore. To my surprise some Top brands do not seem to offer very good types of solar films and instead its the lesser known companies that do I understand that Metallic films will cause IU/GPS interference and are the lesser preferred. And IR% would be most important for heat rejection. I asked for their top specs and for my mid-size saloon BMW 320I and all LTA approved. Below are my findings for each Brand_____________Type of Solar Film____________Front IR%________________Rear IR%_______________Cost Huber Optik___________Nano-Ceramic_________________45______________________87____________________1100 V- Kool______________Metalllic-Film_________________77_____________________98_____________________1200 Absolute Tint__________Nano-Ceramic__________________95_____________________95_____________________480 Rike Cool_____________Nano-ceramic__________________80_____________________90___________________1600 Tintsy Cool_____________Nano-Ceramic__________________90_____________________90______________________949 Verdict - I decided on Absolute Tint that proves the best value and highest specs for both front and rear. It was quite shocking to know that the big brands are over-charging and not proving as good films as I thought they have.
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Hi All, Have shortlisted the above. Zen is half the price of the other 3 brands (3M, Coolnlite, Vkool) though but not sure if it performs as well. Any recommendations? Thanks.
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Hi everyone... Duragloss has manufactured cleaners and sealant for paint protection film..It is used for all paint protection film brands like 3M or other..Let me know if you require a sampler.. If you are shop dealing in installing paint protection film..Feel free to approach me for samplers...
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Anyone experienced or saw that before?
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Setting up this thread to help myself and others who may have caught a snippet or the whole movie somewhere, like a plane, trailer or something and would like to know what the movie title is, so they can find and watch that movie :) Some format to help others find the movie for you: - rough period in which the movie was viewed - likely year of release of the show, even if you only narrow it down to the decade, it helps - Western / Chinese / Jap / Korean etc - genre So here's my first question: It was an incidental finding on an recent flight.. What I know It's release in the recent past - 2016 onwards It's a Chinese / Korean / HKG / Jap collaboration Set in WWII, with a Jap treasure involved, and an HKG who plays a kick ass Jap general with a wonderful fight scene at the end The movie starts with an Indiana Jones / Han Solo type hero rogue who bluffs and cheats his way out of trouble, and a Korean actress who is a spy and kills her Jap army officer husband on a train to secure some map / info.. That's all I have... Thanks bros!
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Anyone done DIY for this Car protection film? Or Local shop doing this? reason also found this : http://www.youtube.com/watch?v=ZSe124eCnyM...feature=related http://www.youtube.com/watch?v=JY_Rd6xur_I
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The Last Of The Woodlands Centre. A Tribute Short Film to Singapore's Iconic Location In The North. https://www.youtube.com/watch?v=79B5mMfDLfs&t=4s
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A short film made in Penang Enjoy and do give me your honest opinion. Happy Lunar New Year ! https://youtu.be/afV44Lz8QO8 Why so many Penang filming ? Because I always travel to Penang.
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another accolade for SG... Singapore-born filmmaker Sandi Tan wins Best Director award at Sundance Film Festival https://www.channelnewsasia.com/news/lifestyle/singapore-filmmaker-sandi-tan-wins-sundance-best-director-9904272
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rear passenger window film kena scratch from inside, now thinking of doing new film cheap way. Any good film shops in JB to recommend? how to ensure the new film pass LTA inspection? compare old and new using our own eyes to see its not darker than old one? Many thanks.. ps: what's the standard JB price for one window?
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Hi Bros, Anyone know of where to purchase DIY window films for home windows? I used to buy it from Katong Shopping Centre but not sure if the shop still exist after 12 years... any recommendation in the West?
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Hi All, Appreciate your help and existing experience on either one of the above. Just signed the dotted line today and should be getting the car by end June (anyway these aren't important)..... Being in the marine industry, I have to go shipyard very often, plus I'm not exactly a hardworking person that detail my car until swee swee.... Please don't start the fire..... [wave] Hope you can share your experience with the pros and cons of the above, although I am more incline toward protective film after reading some of the resources here [thumbsup] Any other alternative also welcome.........Thanks
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We've been in our new flat for 4 years. All has been well with fabulous views up in to Malaysia, some mountains 60km away, when there's no haze. But now another HDB block has been built not only blocking views but allowing us to see into their rooms and them to see into our rooms. Don't really want to have to continually draw curtains as it cut down on the breeze through the flat. We looked at window films when we moved in but they didn't appear dark enough and we wondered about them peeling off the glass. Any suggestions from you guys for good films to apply and do the sellers apply them as well. I suppose with all the car window films around these days there should be a lot of choice.